How I've Changed

I play things closer to the heart now,
On guard so that I am maybe even
A little afraid of boats now,
Where it used to be planes--
But my fears are closer to the ground now.
(It is not the height that scares me
But the invisible that hides so near,
In depths I'll never see or know)
And I roll filters into my cigarettes--
The most dangerous bet I place--
But bids? I barely make them,
Although my hands are hidden well and
Flush, though you could never tell.
And it's hell to drive the highway
When top speed is ten below the limit.
Oh well, though. I've changed lanes,
I'd rather go around than through now.
(I've learned to bluff convincingly, too,
Does this sound true to you, now?)

This urge, like most

This urge, like most--
rapacious in appetite,
persistent appeals curling,
coiling hotly inward--
Comes suddenly, silently,
expansive in it's space-filling abilities,
spanning decades to build its arsenal--
Foot soldiers to push forward,
reaching for relief,
rapiers scraping stomach walls,
a gasp, aghast, why wait?--
Unfaltering, soldiers
(and their unfettered companion-swords)
cry havoc!
And I am through.
Caving in, the response?
Indulgence, it is true, feels like
feet freed to heat-seek retrieve,
feels like fate.

This White Rabbit

Follow this white rabbit
To the bottom of my stomach,
Where sticks and stones
Will break my bones
But words can truly punish.

Patience while I break this habit;
It cycles like a chorus,
These flats and sharps
That score my heart,
These hearty vines that flourish.

Like vines a house will make decrepit
Old and sad and broken,
The song has roots
That line this chute
Tapping words unspoken.

Unfairly I remain the skeptic
(Your reasoning seems brittle)
A house of cards
Falls in my palm
To show you cared so little.

Like dealers taking bets, expectant,
I'll paint my roses red
The smile remains
To hear my name
Whispered in your bed.

Minooka

Bats outside, leather-flapping with that flag-in-the-wind snap, flutter, fwit-fwit
Like a cotton skirt slapping against two legs, flag to pole
Their cries, two-tone, of a lower pitch and less vulgar (though just as incessant) than that of their feathered--cousins? with wings and voices alike, some distant relative shared--second cousins, fourth removed
The seagull.
Somehow the bats seem frantic, with their flapping and crying, ungainly and uncertain and, well, blind.
A dive, a swoop, a ballgown trailing behind a running woman (she is Cinderella, and her dress will disappear soon, and in any event she's lost a shoe, but it's something of a relief as they were damned uncomfortable), and not a fluid fabric, no silk or satin, but something noisy, thick and with plenty of layers.
They are in a hurry, these bats, but I can't really see the point to their harried, tilted, turbulent flights, chaotic--and I really only hear them moving, in that way aren't I something of a bat myself?--circles, they are tracing circles over a cul de sac.
Circling, swinging, ovoid mobius strips streaming from their wingtips, busy little--
Not bees, kissing this bit, that bit of the lips of sweet orchids
No, bumble is the right first name for bees, honey fits too--slow, they stick to blossom, bramble, and blouse alike
And, well, if a bat landed on your sleeve you'd damn sure scream.
Perhaps, somewhere in that family tree--an uncle divorced, bastard child-of-a-mistress stepson--there's a place for the humble bee, for in their ability to elicit shrieks, bats and bees are quite the team.

Chicago 2

Hop on in this fast car
From carnival to graveyard!

We've no memories of time zones
Or of differences in skin tones-
Dodging flocks of helicopters
Moving in formation overhead.
Welcome to the land of the dead.

Lincoln

Have you ever been the worst thing to happen to someone?
I think you might've been and that it was fun, once.

Now I can't forget the way that you talked at a slow clip,
Or the tiny little hairs on your top lip-
Stop it.

I hate to admit
That I hope that this hits
Home and hurts
Like a bitch-
Homegirl, you
Make me sick.
But it's just what I get
Making castles out of shit.

Have you ever thought you loved a stranger?
Well that fleeting thrill of danger
Isn't worth it, I promise.

Chicago

Smothered love, so nothing to declare
Plain and painted, so nothing left to say
In the park where children-statues play
I never told, and so I left you there.
True love, this kind was never quite so rare.

A slipshod stitch to bind us two to one
Unsteady hands that twitch to miss their mark
Unravel now, let go this tired lark
Confining hems, this needle-loaded gun
A foot apart, pristine, distant, done.

Impatience prowling lion-like for prey
Combatted now with sweet and softest kiss
But though we run, so pursued just as swift
When ending can be no more kept at bay
Painted black, so nothing to display.